Mitsuko Uchida - review

Mitsuko Uchida - review

Schubert's last three piano sonatas may have been composed in a single astonishing creative burst in the final months of the composer's life in 1828, but they resolutely resist being regarded as a trilogy: each stands in its own musical and emotional space, independent masterpieces all.

Start the conversation, or Read more at The Guardian.

More from around the web