UNESCO- Wayang KUlit Jelas asal Malaysia bkn Jawa

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Jebat Derhaka 0172644268

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#1
Oct 14, 2009
 

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malu la Jawa
ji malaysia

Kemaman, Malaysia

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#2
Oct 14, 2009
 

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lantak kaulah.,.,.,.
Prof DR Malonsia

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#3
Oct 14, 2009
 

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minta link berita dong malon...pasti g ada ya???

padan muka neh malon,,,sana main lumpur saja ma babi2x di malonsia,,,,heheheheheh :P

“wake up in a pouring rainy day”

Since: Oct 09

Jakarta, Indonesia

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#4
Oct 14, 2009
 

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MANA BUKTINYA, NYED???

nih, WEBSITE RESMI UNESCO

http://portal.unesco.org/geography/en/ev.php-...
"In the field of intangible heritage, the Wayang Puppet theatre was proclaimed a Masterpiece of the Oral and Intangible Heritage of Humanity in 2003."

http://www.unesco.org/culture/ich/index.php...
"this ancient form of storytelling originated on the Indonesian island of Java. For ten centuries wayang flourished at the royal courts of Java and Bali as well as in rural areas. Wayang has spread to other islands (Lombok, Madura, Sumatra and Borneo) where various local performance styles and musical accompaniments have developed.
While these carefully handcrafted puppets vary in size, shape and style, two principal types prevail: the three-dimensional wooden puppet (wayang klitik or golčk) and the flat leather shadow puppet (wayang kulit) projected in front of a screen lit from behind. Both types are characterized by costumes, facial features and articulated body parts. The master puppeteer (dalang) manipulates the swivelling arms by means of slender sticks attached to the puppets. Singers and musicians play complex melodies on bronze instruments and gamelan drums. In the past, puppeteers were regarded as cultivated literary experts who transmitted moral and aesthetic values through their art. The words and actions of comic characters representing the “ordinary person” have provided a vehicle for criticizing sensitive social and political issues, and it is believed that this special role may have contributed to wayang’s survival over the centuries. Wayang stories borrow characters from indigenous myths, Indian epics and heroes from Persian tales. The repertory and performance techniques were transmitted orally within the families of puppeteers, musicians and puppet-makers. Master puppeteers are expected to memorize a vast repertory of stories and to recite ancient narrative passages and poetic songs in a witty and creative manner.
The Wayang Puppet Theatre still enjoys great popularity. However, to compete successfully with modern forms of pastimes such as video, television or karaoke, performers tend to accentuate comic scenes at the expense of the story line and to replace musical accompaniment with pop tunes, leading to the loss of some characteristic features."

malu2in banget u yee

MALU LA MALAYSIA
KAGHI

Indonesia

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#5
Oct 14, 2009
 

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malay bego...,,, sluruh dunia juga tau wayang tuh indonesia punya...,,,

Malon neeh sbnarnya hdup d planet mana seeh kok begooo....,,, bgt..., lama2 borobudur jg di klaim ma malon

“wake up in a pouring rainy day”

Since: Oct 09

Jakarta, Indonesia

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#6
Oct 14, 2009
 

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MANA BUKTINYA, NYED??

nih, SITUS RESMI UNESCO!
http://www.unesco.org/culture/ich/index.php...
"For ten centuries wayang flourished at the royal courts of Java and Bali as well as in rural areas. Wayang has spread to other islands (Lombok, Madura, Sumatra and Borneo) where various local performance styles and musical accompaniments have developed.
While these carefully handcrafted puppets vary in size, shape and style, two principal types prevail: the three-dimensional wooden puppet (wayang klitik or golčk) and the flat leather shadow puppet (wayang kulit) projected in front of a screen lit from behind. Both types are characterized by costumes, facial features and articulated body parts. The master puppeteer (dalang) manipulates the swivelling arms by means of slender sticks attached to the puppets. Singers and musicians play complex melodies on bronze instruments and gamelan drums. In the past, puppeteers were regarded as cultivated literary experts who transmitted moral and aesthetic values through their art. The words and actions of comic characters representing the “ordinary person” have provided a vehicle for criticizing sensitive social and political issues, and it is believed that this special role may have contributed to wayang’s survival over the centuries. Wayang stories borrow characters from indigenous myths, Indian epics and heroes from Persian tales. The repertory and performance techniques were transmitted orally within the families of puppeteers, musicians and puppet-makers. Master puppeteers are expected to memorize a vast repertory of stories and to recite ancient narrative passages and poetic songs in a witty and creative manner"

MALU LA MALAYSIA
Jebat Derhaka 0172644268

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#7
Oct 14, 2009
 
WAH CEPAT YA MELENTING
Jebat Derhaka 0172644268

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#8
Oct 14, 2009
 

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Wayang kulit (Puppet Shadow Play) sangat popular di rantau Asia Tenggara. Terdapat berbagai bentuk dan jenis wayang kulit bergantung kepada suasana dan latar belakang masyarakat.

Wayang kulit telah wujud di Kemboja (Kampuchea) lebih 1000 tahun yang lalu. Di Malaysia, wayang kulit mula diperkenalkan 300-400 tahun yang silam.

Mengikut catatan sejarah wayang kulit pernah dipersembahkan di perkarangan Istana Raja Melayu yang pertama memerintah negeri Kelantan 200 tahun dahulu.

Wayang kulit yang tertua di Kemboja dan Thailand telah dipersembahkan oleh sekumpulan yang pandai bertindak pantas, berdiri bersebelahan, setiap seorang memegang sekumpulan kerektor Ramayana di atas kepala mereka.

Kerektor-kerektor tersebut lebih 4 kaki tinggi, dan menari secara melintang di belakang skrin yang berukuran 20 kaki panjang dan 8 kaki tinggi.

Persembahan ini mungkin satu kerja seni untuk menghibur Raja Khmer di Angkor pada abad ke 10 dan 11 selepas masehi.

Wayang kulit gergasi ini adalah untuk persembahan kerabat diraja, tetapi jenis yang lebih mudah dan kecil telah diadakan di Kemboja dan Thailand pada masa kemudian untuk hiburan masyarakat umum.

Figura yang dibuat daripada kulit lembu, mempersembahkan watak individu dari Ramayana dan jarang yang lebih daripada 2 kaki tinggi
Jebat Derhaka 0172644268

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#9
Oct 14, 2009
 
Jebat Derhaka 0172644268

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#10
Oct 14, 2009
 
Wayang Kulit

Wayang Kulit is a traditional theater art-form using puppets and shadow-play to tell the epic tales of the ancient classical Hindu legends, Mahabharata and Ramayana. The puppets are made of buffalo hide and mounted on bamboo sticks. There may be as many as 45 puppets - handled entirely by a single master puppeteer, known as the Tok Dalang.

As a solo performer who representing all the heroes and heroines in the story, Dalang is the key of the performance - a masterly producer, conductor, puppeteer, historian, wise man, commedian, and the story-teller. Apart from this, Dalang also knows most of the music instruments meanwhile as the bomoh (Malay traditional practitioner). In the few hours of show, Dalang doesn’t only play the puppets, but also translates the voices of all the roles in the story apart from giving hints to the gamelan, sings and reads out loud. In some stories, the Dalang even uses ancient or classic dialect which in fact has long lost in the flow of time. He will breath new life into each re-telling of those ancient tales, continually reaffirming the currency and relevance of the harmony of life, the balance between antagonist and protagonist, giving a little homour, making the whole performance alive. Beside the usual story line, some good Dalangs react things that happen the day or make a joke as to cheer the audience. Atmosphere and the emotion of the hall are controlled and manipulated by the Dalang in his rising and falling voice. Sometime when it comes to an excited point, the hall could be in a tumult while come to the sadness plot, you might hear the sound of sneezing or see weeping eyes
dede

Indonesia

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#11
Oct 14, 2009
 

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Jebat Derhaka 0172644268 wrote:
Wayang kulit (Puppet Shadow Play) sangat popular di rantau Asia Tenggara. Terdapat berbagai bentuk dan jenis wayang kulit bergantung kepada suasana dan latar belakang masyarakat.
Wayang kulit telah wujud di Kemboja (Kampuchea) lebih 1000 tahun yang lalu. Di Malaysia, wayang kulit mula diperkenalkan 300-400 tahun yang silam.
Mengikut catatan sejarah wayang kulit pernah dipersembahkan di perkarangan Istana Raja Melayu yang pertama memerintah negeri Kelantan 200 tahun dahulu.
...
Hihihi ... pasti kaka bodoh sekali ..

kalau source kaka mengatakan wayang kulit telah wujud di Kemboja lebih 1000 tahun yang lalu bagaimana mungkin m'alay yang baru kenal "300 - 400" tahun lalu bisa klaim wayang origin m'alay?

hihihi ... bodoh berlipat

Source kaka gak bisa dipercaya tuh
ada kontradiksi antara "300-400" dengan "200"

padan muka si bodoh =)
paijo

Santa Clara, CA

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#12
Oct 14, 2009
 

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Jebat Derhaka 0172644268 wrote:
Wayang Kulit
Wayang Kulit is a traditional theater art-form using puppets and shadow-play to tell the epic tales of the ancient classical Hindu legends, Mahabharata and Ramayana. The puppets are made of buffalo hide and mounted on bamboo sticks. There may be as many as 45 puppets - handled entirely by a single master puppeteer, known as the Tok Dalang.
As a solo performer who representing all the heroes and heroines in the story, Dalang is the key of the performance - a masterly producer, conductor, puppeteer, historian, wise man, commedian, and the story-teller. Apart from this, Dalang also knows most of the music instruments meanwhile as the bomoh (Malay traditional practitioner). In the few hours of show, Dalang doesn&#8217;t only play the puppets, but also translates the voices of all the roles in the story apart from giving hints to the gamelan, sings and reads out loud. In some stories, the Dalang even uses ancient or classic dialect which in fact has long lost in the flow of time. He will breath new life into each re-telling of those ancient tales, continually reaffirming the currency and relevance of the harmony of life, the balance between antagonist and protagonist, giving a little homour, making the whole performance alive. Beside the usual story line, some good Dalangs react things that happen the day or make a joke as to cheer the audience. Atmosphere and the emotion of the hall are controlled and manipulated by the Dalang in his rising and falling voice. Sometime when it comes to an excited point, the hall could be in a tumult while come to the sadness plot, you might hear the sound of sneezing or see weeping eyes
nah loe tau ndiri wayang kulit emgdr tradisi hindu. Coba kamu tanya org kamboja, mereka tau wayang tak???
paijo

Santa Clara, CA

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#13
Oct 14, 2009
 

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Jebat Derhaka 0172644268 wrote:
http://www.terengganutourism.c om/stage_performance.htm
yaeleh.. Situs malon loe tampilin..hahahahaha.. Oon lu ye.. Pake situs unesco d0nk..
paijo

Santa Clara, CA

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#14
Oct 14, 2009
 
Yah.. Malon.. Malon.. Wong jaman srivijaya&majapahit aja kalian cm rakyat jelata je.. Koq mw mengklaim..hahaha
dede

Indonesia

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#15
Oct 14, 2009
 
Jebat Derhaka 0172644268 wrote:
Wayang kulit (Puppet Shadow Play) sangat popular di rantau Asia Tenggara. Terdapat berbagai bentuk dan jenis wayang kulit bergantung kepada suasana dan latar belakang masyarakat.
Wayang kulit telah wujud di Kemboja (Kampuchea) lebih 1000 tahun yang lalu. Di Malaysia, wayang kulit mula diperkenalkan 300-400 tahun yang silam.
Mengikut catatan sejarah wayang kulit pernah dipersembahkan di perkarangan Istana Raja Melayu yang pertama memerintah negeri Kelantan 200 tahun dahulu.
..
Hihihi ... pasti kaka bodoh sekali ..

kalau source kaka mengatakan wayang kulit telah wujud di Kemboja lebih 1000 tahun yang lalu bagaimana mungkin m'alay yang baru kenal "300 - 400" tahun lalu bisa klaim wayang origin m'alay?

hihihi ... bodoh berlipat

Source kaka gak bisa dipercaya tuh
ada kontradiksi antara "300-400" dengan "200"

padan muka si bodoh =)
Malon Gagal

Indonesia

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#16
Oct 14, 2009
 
Malon pada jaman sriwijaya masi berupa beruk yang masi diberi makan pisang..
Bumi klux klan

Santa Clara, CA

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#17
Oct 14, 2009
 
Inilah bentuk penyesatan dan kebohongan sejarah a la MALON.
paijo

Santa Clara, CA

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#21
Oct 14, 2009
 
Malon tu suka mengarang cerita dusta dan meyakininya sbg pembenaran aksi malingnya.. Maling Oon..hahaha..
George Pitat

Santa Clara, CA

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#22
Oct 14, 2009
 
Jebat Derhaka 0172644268 wrote:
Wayang Kulit
Wayang Kulit is a traditional theater art-form using puppets and shadow-play to tell the epic tales of the ancient classical Hindu legends, Mahabharata and Ramayana. The puppets are made of buffalo hide and mounted on bamboo sticks. There may be as many as 45 puppets - handled entirely by a single master puppeteer, known as the Tok Dalang.
As a solo performer who representing all the heroes and heroines in the story, Dalang is the key of the performance - a masterly producer, conductor, puppeteer, historian, wise man, commedian, and the story-teller. Apart from this, Dalang also knows most of the music instruments meanwhile as the bomoh (Malay traditional practitioner). In the few hours of show, Dalang doesn&#8217;t only play the puppets, but also translates the voices of all the roles in the story apart from giving hints to the gamelan, sings and reads out loud. In some stories, the Dalang even uses ancient or classic dialect which in fact has long lost in the flow of time. He will breath new life into each re-telling of those ancient tales, continually reaffirming the currency and relevance of the harmony of life, the balance between antagonist and protagonist, giving a little homour, making the whole performance alive. Beside the usual story line, some good Dalangs react things that happen the day or make a joke as to cheer the audience. Atmosphere and the emotion of the hall are controlled and manipulated by the Dalang in his rising and falling voice. Sometime when it comes to an excited point, the hall could be in a tumult while come to the sadness plot, you might hear the sound of sneezing or see weeping eyes
Macam ni lah punca msia disebut tukang klaim. Cakap pasal budaya jawa tapi tak sebut nama jawa langsung.
Perkataan DALANG dan GAMELAN tu bahasa jawa lah ngok!
Lyn

Jakarta, Indonesia

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#23
Oct 14, 2009
 
malon kontol bersemi siap di potong :D

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