Barack Obama, our next President

Full story: Hampton Roads Daily Press

"The road ahead will be long. Our climb will be steep," Obama cautioned. Young and charismatic but with little experience on the national level, Obama smashed through racial barriers and easily defeated ...

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dem

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#1011581
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The time evolution of the phase space distribution is given by a quantum modification of Liouville flow.[2][9][19] This formula results from applying the Wigner transformation to the density matrix version of the quantum Liouville equation, the von Neumann equation.

In any representation of the phase space distribution with its associated star product, this is

or, for the Wigner function in particular,

where {{,}} is the Moyal bracket, the Wigner transform of the quantum commutator, while {,} is the classical Poisson bracket.[2]

This yields a concise illustration of the correspondence principle: this equation manifestly reduces to the classical Liouville equation in the limit ħ → 0. In the quantum extension of the flow, however, the density of points in phase space is not conserved; the probability fluid appears "diffusive" and compressible.[2] The concept of quantum trajectory is therefore a delicate issue here.(Given the restrictions placed by the uncertainty principle on localization, Niels Bohr vigorously denied the existence of physical such trajectories on the microscopic scale.) By means of formal phase-space trajectories, the time evolution problem of the Wigner function can be rigorously solved using the path-integral method[20] and the method of quantum characteristics,[21] although there are practical obstacles in both cases.

Examples[edit]Simple harmonic oscillator[edit]Main article: quantum harmonic oscillator

The Wigner quasiprobability distribution Fn(u) for the simple harmonic oscillator with a) n = 0, b) n = 1, and c) n = 5.The Hamiltonian for the simple harmonic oscillator in one spatial dimension in the Wigner-Weyl representation is

The ★-genvalue equation for the static Wigner function then reads
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dem wrote:
However, the principle of locality appeals powerfully to physical intuition, and Einstein, Podolsky and Rosen were unwilling to abandon it. Einstein derided the quantum mechanical predictions as "spooky action at a distance". The conclusion they drew was that quantum mechanics is not a complete theory.[16]
In recent years, however, doubt has been cast on EPR's conclusion due to developments in understanding locality and especially quantum decoherence. The word locality has several different meanings in physics. For example, in quantum field theory "locality" means that quantum fields at different points of space do not interact with one another. However, quantum field theories that are "local" in this sense appear to violate the principle of locality as defined by EPR, but they nevertheless do not violate locality in a more general sense. Wavefunction collapse can be viewed as an epiphenomenon of quantum decoherence, which in turn is nothing more than an effect of the underlying local time evolution of the wavefunction of a system and all of its environment. Since the underlying behaviour doesn't violate local causality, it follows that neither does the additional effect of wavefunction collapse, whether real or apparent. Therefore, as outlined in the example above, neither the EPR experiment nor any quantum experiment demonstrates that faster-than-light signaling is possible.
SUPPORT BARNEYS STOP RACIAL BULLING SUPPORT BARNEYS STOP THE RACIAL EXTORTIONIST NO FREE SUITS FOR YOU SHARPTON stop RACIAL EXTORTION STOP RACIAL EXTORTION STOP RACIAL EXTORTION SUPPORT BARNEYS NYC GO ONLINE BUY A KEYCHAIN STOP RACIAL EXTORTION no justice no peace support BARNEYS NYC
dem

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maybe this will be a little lighter reading

War and Peace (Pre-reform Russian:«В&#1086 ;йн&#1 072; и ми&#10 88;ъ», Voyna i mir) is a novel by the Russian author Leo Tolstoy, first published in 1869. The work is epic in scale and is regarded as one of the most important works of world literature.[1][2][3] It is considered Tolstoy's finest literary achievement, along with his other major prose work Anna Karenina (1873–1877).

War and Peace delineates in graphic detail events surrounding the French invasion of Russia, and the impact of the Napoleonic era on Tsarist society, as seen through the eyes of five Russian aristocratic families. Portions of an earlier version of the novel, then known as The Year 1805,[4] were serialized in the magazine The Russian Messenger between 1865 and 1867. The novel was first published in its entirety in 1869.[5] Newsweek in 2009 ranked it first in its list of the Top 100 Books.[6] In 2003, the novel was listed at number 20 on the BBC's survey The Big Read.[7]

Tolstoy himself, somewhat enigmatically, said of War and Peace that it was "not a novel, even less is it a poem, and still less a historical chronicle". Large sections of the work, especially in the later chapters, are philosophical discussion rather than narrative.[8] He went on to elaborate that the best Russian literature does not conform to standard norms and hence hesitated to call War and Peace a novel.(Instead, Tolstoy regarded Anna Karenina as his first true novel.)
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#1011584
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War and Peace is well known as being one of the longest novels ever written, though not the longest. It is actually the seventh longest novel ever written in a Latin or Cyrillic based alphabet and is subdivided into four books or volumes, each with sub parts containing many chapters.

Tolstoy came up with the title, and some of his themes, from an 1861 work of Pierre-Joseph Proudhon: La Guerre et la Paix ('War and Peace' in French). Tolstoy had served in the Crimean War and written a series of short stories and novellas featuring scenes of war.

He began writing War and Peace in the year that he finally married and settled down at his country estate. The first half of the book was written under the name "1805".

During the writing of the second half, he read widely and acknowledged Schopenhauer as one of his main inspirations. However, Tolstoy developed his own views of history and the role of the individual within it.[9]

The first draft of War and Peace was completed in 1863. In 1865, the periodical Russkiy Vestnik published the first part of this early version under the title 1805. In the following year, it published more of the same early version. Tolstoy was dissatisfied with this version, although he allowed several parts of it to be published with a different ending in 1867, still under the same title "1805". He heavily rewrote the entire novel between 1866 and 1869.[5][9] Tolstoy's wife, Sophia Tolstaya, wrote as many as seven separate complete manuscripts by hand before Tolstoy considered it again ready for publication.[9] The version that was published in Russkiy Vestnik had a very different ending from the version eventually published under the title War and Peace in 1869.

The completed novel was then called Voyna i mir (new style orthography; in English War and Peace).

The 1805 manuscript (sometimes referred to as "the original War and Peace") was re-edited and annotated in Russia in 1983 and since has been translated separately from the "known" version, to English, German, French, Spanish, Dutch, Swedish, Finnish, Albanian, and Korean. The fact that so many extant versions of War and Peace survive make it one of the best insights into the mental processes of a great novelist.
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The novel can be generally classified as historical fiction. It contains elements present in many types of popular 18th and 19th century literature, especially the romance novel. War and Peace attains its literary status by transcending genres.

Tolstoy was instrumental in bringing a new kind of consciousness to the novel. His narrative structure is noted for its "god-like" ability to hover over and within events, but also in the way it swiftly and seamlessly portrayed a particular character's point of view. His use of visual detail is often cinematic in its scope, using the literary equivalents of panning, wide shots and close-ups, to give dramatic interest to battles and ballrooms alike. These devices, while not exclusive to Tolstoy, are part of the new style of the novel that arose in the mid-19th century and of which Tolstoy proved himself a master.[

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No Surprize wrote:
<quoted text>Realtime all the time bent over and punked by No Surprize Carol, someone or something always eating someone elses shit, you looking like an ignorant idiot you dumbass....
The hazards of being a ghetto demokRAT you loser...
It's the culture...
Realtime, like most liberals, don't bother to corroborate a source's content or even Fox News commentators if there's even a remote chance they might be proven wrong.

People on the left who break rank are promptly isolated from the herd, demonized and/or fired.
WOW

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dem wrote:
Acceptable theories" and the experiment[edit]According to the present view of the situation, quantum mechanics flatly contradicts Einstein's philosophical postulate that any acceptable physical theory must fulfill "local realism".
In the EPR paper (1935) the authors realised that quantum mechanics was inconsistent with their assumptions, but Einstein nevertheless thought that quantum mechanics might simply be augmented by hidden variables (i.e. variables which were, at that point, still obscure to him), without any other change, to achieve an acceptable theory. He pursued these ideas for over twenty years until the end of his life, in 1955.
In contrast, John Bell, in his 1964 paper, showed that quantum mechanics and the class of hidden variable theories Einstein favored[17] would lead to different experimental results: different by a factor of 3&#8260;2 for certain correlations. So the issue of "acceptability", up to that time mainly concerning theory, finally became experimentally decidable.
There are many Bell test experiments, e.g. those of Alain Aspect and others. They support the predictions of quantum mechanics rather than the class of hidden variable theories supported by Einstein.[2] According to Karl Popper these experiments showed that the class of "hidden variables" Einstein believed in is erroneous.[
STOP RACIAL BULLING SUPPORT BARNEYS NYC SUPPORT BARNEYS NYC STOP RACIAL EXTORTION SUPPORT BARNEYS NYC SUPPORT BARNEYS NYC no justic no peace
dem

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WOW wrote:
<quoted text>SUPPORT BARNEYS STOP RACIAL BULLING SUPPORT BARNEYS STOP RACIAL EXTORTIONIST no justice no peace SUPPORT BARNEYS STOP RACIAL EXTORTIONISTS SUPPORT BARNEYS GO ONLINE BUY A KEYCHAIN STOP RACIAL BULLING SUPPORT BARNEYS NYC
fu ck you pu ssy
Tolstoy incorporated extensive historical research. He was also influenced by many other novels.[9] A veteran of the Crimean War, Tolstoy was quite critical of standard history, especially the standards of military history, in War and Peace. Tolstoy read all the standard histories available in Russian and French about the Napoleonic Wars and combined more traditional historical writing with the novel form. He explains at the start of the novel's third volume his own views on how history ought to be written. His aim was to blur the line between fiction and history, in order to get closer to the truth, as he states in Volume II.
The novel is set 60 years earlier than the time at which Tolstoy wrote it, "in the days of our grandfathers", as he puts it. He had spoken with people who had lived through war during the French invasion of Russia in 1812, so the book is also, in part, accurate ethnography fictionalized. He read letters, journals, autobiographical and biographical materials pertaining to Napoleon and the dozens of other historical characters in the novel. There are approximately 160 real persons named or referred to in War and Peace.[11]
Language[edit]
Cover of War and Peace, Italian translation, 1899Although Tolstoy wrote most of the book, including all the narration, in Russian, significant portions of dialogue (including its opening paragraph) are written in French with characters often switching between the two languages. This reflected 19th century Russian aristocracy, where French, a foreign tongue, was widely spoken and considered a language of prestige and more refined than Russian.[12] This came about from the historical influence throughout Europe of the powerful court of the Sun King, Louis XIV of France, leading to members of the Russian aristocracy being less competent in speaking their mother tongue. In War and Peace, for example, Julie Karagina, Princess Marya's friend, has to take Russian lessons in order to master her native language.
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French words.

The use of French diminishes as the book progresses and the wars with the French intensify, culminating in the capture and eventual burning of Moscow. The progressive elimination of French from the text is a means of demonstrating that Russia has freed itself from foreign cultural domination.[13] It is also, at the level of plot development, a way of showing that a once-admired and friendly nation, France, has turned into an enemy. By midway through the book, several of the Russian aristocracy, whose command of French is far better than their command of Russian, are anxious to find Russian tutors for themselves.

English and other translations[edit]War and Peace has been translated into many languages. It has been translated into English on several occasions, starting with Clara Bell working from a French translation. The translators Constance Garnett and Louise and Aylmer Maude knew Tolstoy personally. Translations have to deal with Tolstoy’s often peculiar syntax and his fondness for repetitions. About 2% of War and Peace is in French; Tolstoy removed the French in a revised 1873 edition, only to restore it later.[13] Most translators follow Garnett retaining some French, Briggs uses no French, while Pevear-Volokhonsky and Amy Mandelker's revision of the Maude translation both retain the French fully.[13](For a list of translations see below)

Background and historical context[edit]
No Surprize

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USAsince1680 wrote:
<quoted text>
Really?
" Factcheck.org and the Kaiser Family Foundation have breakdowns of the Ryan’s “Path To Prosperity” plan from March 2012."
Under Ryan’s plan, beginning in 2023, people over 65 would pick an insurance plan in a new Medicare exchange system, with Medicare competing with other insurers for their business.
The government would send money, called a premium-support payment, directly to the insurer picked by the consumer.
If the consumer picks a plan more expensive than the government premium payment they receive, the consumer must pay the difference out of pocket. If the consumer picks a cheaper plan, they pocket the difference in the form of a rebate check.
The Ryan plan set the premium payment to consumers at the cost of the second-least expensive government-approved plan.
The federal government will determine the minimum level of benefits that all plans must offer. The premium-support payment is capped at the growth of GDP, plus 0.5 percent. The subsidy will be adjusted based on the income level of the consumer.
After 2022, seniors are guaranteed they can enroll in any plan offered by the new exchanges and Medicare despite their health status or age.
In Ryan’s March 2012 plan, there is no limit of out-of-pocket costs incurred by seniors, and the plan doesn’t address prescription drug costs."
Now, what's different about Ryans' plan for Seniors and the Affordable Care Act?
http://news.yahoo.com/understanding-paul-ryan...
>spam>
dem

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The novel begins in the year 1805 during the reign of Tsar Alexander I and leads up to the 1812 French invasion of Russia by Napoleon. The era of Catherine the Great (1762–1796), when the royal court in Paris was the centre of western European civilization,[14] is still fresh in the minds of older people. Catherine, fluent in French and wishing to reshape Russia into a great European nation, made French the language of her royal court. For the next one hundred years, it became a social requirement for members of the Russian nobility to speak French and understand French culture.[14] This historical and cultural context in the aristocracy is reflected in War and Peace. Catherine's grandson, Alexander I, came to the throne in 1801 at the age of 24. In the novel, his mother, Marya Feodorovna, is the most powerful woman in the Russian court.

War and Peace tells the story of five aristocratic families—the Bezukhovs, the Bolkonskys, the Rostovs, the Kuragins and the Drubetskoys—and the entanglements of their personal lives with the then contemporary history of 1805 to 1813, principally Napoleon's invasion of Russia in 1812. The Bezukhovs, while very rich, are a fragmented family as the old Count, Kirill Vladimirovich, has fathered dozens of illegitimate sons. The Bolkonskys are an old established and wealthy family based at Bald Hills. Old Prince Bolkonsky, Nikolai Andreevich, served as a general under Catherine the Great, in earlier wars. The Moscow Rostovs have many estates, but never enough cash. They are a closely knit, loving family who live for the moment regardless of their financial situation. The Kuragin family has three children, who are all of questionable character. The Drubetskoy family is of impoverished nobility, and consists of an elderly mother and her only son, Boris, whom she wishes to push up the career ladder.

Tolstoy spent years researching and rewriting the book. He worked from primary source materials (interviews and other documents), as well as from history books, philosophy texts and other historical novels.[9] Tolstoy also used a great deal of his own experience in the Crimean War to bring vivid detail and first-hand accounts of how the Russian army was structured.[15]
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tea baggers are stoooopid

The standard Russian text of War and Peace is divided into four books (fifteen parts) and an epilogue in two parts – one mainly narrative, the other thematic. While roughly the first half of the novel is concerned strictly with the fictional characters, the later parts, as well as one of the work's two epilogues, increasingly consist of essays about the nature of war, power, history, and historiography. Tolstoy interspersed these essays into the story in a way that defies previous fictional convention. Certain abridged versions remove these essays entirely, while others, published even during Tolstoy's life, simply moved these essays into an appendix.

Plot summary[edit]War and Peace has a large cast of characters, the majority of whom are introduced in the first book. Some are actual historical figures, such as Napoleon and Alexander I. While the scope of the novel is vast, it is centered around
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dem wrote:
Main articles: Quasiprobability distribution, Wigner quasiprobability distribution, and Wigner–Weyl transform
The phase space distribution f(x,p) of a quantum state is a quasiprobability distribution. In the phase space formulation, the phase-space distribution may be treated as the fundamental, primitive description of the quantum system, without any reference to wave functions or density matrices.[7]
There are several different ways to represent the distribution, all interrelated.[8][9] The most noteworthy is the Wigner representation, W(x,p), discovered first.[4] Other representations (in approximately descending order of prevalence in the literature) include the Glauber-Sudarshan P,[10][11] Husimi Q,[12] Kirkwood-Rihaczek, Mehta, Rivier, and Born-Jordan representations.[13][14] These alternatives are most useful when the Hamiltonian takes a particular form, such as normal order for the Glauber–Sudarshan P-representation. Since the Wigner representation is the most common, this article will usually stick to it, unless otherwise specified.
The phase space distribution possesses properties akin to the probability density in a 2n-dimensional phase space. For example, it is real-valued, unlike the generally complex-valued wave function. We can understand the probability of lying within a position interval, for example, by integrating the Wigner function over all momenta and over the position interval:
STOP RACIAL BULLING SUPPORT BARNEYS NYC STOP RACIAl EXTORTION SUPPORT BARNEYS NYC SUPPORT BARNEYS NYC SUPPORT BARNEYS NYC STOP RACIAL BULLING STOP RACIAL EXTORTION SUPPORT BARNEYS SUPPORT BARNEYS STOP RACIAL EXTORTION SUPPORT BARNEYS NYC SUPPORT BARNEYS no justic no peace no justice no peace SUPPORT BARNEYS NYC SUPPORT BARNEYS NYC

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And speaking of being promptly fired...

Hannity asked one of Obamacare's phone employees if she would be willing to answer some question on air on his radio program.

She answered all of his questions politely and professionally. But because she simply agreed to do it, she was immediately fired.

Hannity had her on last night and told her that because so many people were outraged, there were numerous job offers waiting for her and that he was personally going to pay her the same wages she would have made in a year at her former job.

The left would never do that for a conservative who agreed to talk with a liberal radio show host on air.

But that conservative would have never been fired.
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RealDave wrote:
Republicans throwing tantrums at Congressional hearings over the ACA website.
When are they going to investigate how Congress cost the economy 24 billion dollars?
Nothing like a bunch of blowhards finding fault that the website was not completely operation by Oct 1 when these same f*cking blowhard couldn't fund the government by October 1st.
Ghetto dem throwing tantrums here on Topix...

If your going to own a rabid pet, Dumbass Dave... Keep a leash on it.!!

It's the culture...
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The novel begins in July 1805 in Saint Petersburg, at a soirée given by Anna Pavlovna Scherer—the maid of honour and confidante to the queen mother Maria Feodorovna. Many of the main characters and aristocratic families in the novel are introduced as they enter Anna Pavlovna's salon. Pierre (Pyotr Kirilovich) Bezukhov is the illegitimate son of a wealthy count, an elderly man who is dying after a series of strokes. Pierre is about to become embroiled in a struggle for his inheritance. Educated abroad at his father's expense following his mother's death, Pierre is essentially kindhearted, but socially awkward, and owing in part to his open, benevolent nature, finds it difficult to integrate into Petersburg society. It is known to everyone at the soirée that Pierre is his father's favorite of all the old count’s illegitimate children.

Also attending the soireé is Pierre's friend, the intelligent and sardonic Prince Andrei Nikolayevich Bolkonsky, husband of Lise, the charming society favourite. Finding Petersburg society unctuous and disillusioned with married life after discovering his wife is empty and superficial, Prince Andrei makes the fateful choice to be an aide-de-camp to Prince Mikhail Ilarionovich Kutuzov in the coming war against Napoleon.

The plot moves to Moscow, Russia's ancient city and former capital, contrasting its provincial, more Russian ways to the highly mannered society of Petersburg. The Rostov family are introduced. Count Ilya Andreyevich Rostov has four adolescent children. Thirteen-year-old Natasha (Natalia Ilyinichna) believes herself in love with Boris Drubetskoy, a disciplined young man who is about to join the army as an officer. Twenty-year-old Nikolai Ilyich pledges his love to Sonya (Sofia Alexandrovna), his fifteen-year-old cousin, an orphan who has been brought up by the Rostovs. The eldest child of the Rostov family, Vera Ilyinichna, is cold and somewhat haughty but has a good prospective marriage in a Russian-German officer, Adolf Karlovich Berg. Petya (Pyotr Ilyich) is nine and the youngest of the Rostov family; like his brother, he is impetuous and eager to join the army when of age. The heads of the family, Count Ilya Rostov and Countess Natalya Rostova, are an affectionate couple but forever worried about their disordered finances.
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At Bald Hills, the Bolkonskys' country estate, Prince Andrei departs for war and leaves his terrified, pregnant wife Lise with his eccentric father Prince Nikolai Andreyevich Bolkonsky and devoutly religious sister Maria Nikolayevna Bolkonskaya.

The second part opens with descriptions of the impending Russian-French war preparations. At the Schöngrabern engagement, Nikolai Rostov, who is now conscripted as ensign in a squadron of hussars, has his first taste of battle. He meets Prince Andrei, whom he insults in a fit of impetuousness. Even more than most young soldiers, he is deeply attracted by Tsar Alexander's charisma. Nikolai gambles and socializes with his officer, Vasily Dmitrich Denisov, and befriends the ruthless, and perhaps, psychopathic Fyodor Ivanovich Dolokhov.

Book/Volume Two[edit]
Scene in Red Square, Moscow, 1801. Oil on canvas by Fedor Yakovlevich Alekseev.Book Two begins with Nikolai Rostov briefly returning on home leave to Moscow. Nikolai finds the Rostov family facing financial ruin due to poor estate management. He spends an eventful winter at home, accompanied by his friend Denisov, his officer from the Pavlograd Regiment in which he serves. Natasha has blossomed into a beautiful young girl. Denisov falls in love with her, proposes marriage but is rejected. Although his mother pleads with Nikolai to find himself a good financial prospect in marriage, Nikolai refuses to accede to his mother's request. He promises to marry his childhood sweetheart, the dowry-less Sonya.
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Pierre Bezukhov, upon finally receiving his massive inheritance, is suddenly transformed from a bumbling young man into the richest and most eligible bachelor in the Russian Empire. Despite rationally knowing that it is wrong, he is convinced into marriage with Prince Kuragin's beautiful and immoral daughter Hélène (Elena Vasilyevna Kuragina), to whom he is superficially attracted. Hélène, who is rumoured to be involved in an incestuous affair with her brother, the equally charming and immoral Anatol, tells Pierre that she will never have children with him. Hélène is rumoured to have an affair with Dolokhov, who mocks Pierre in public. Pierre loses his temper and challenges Dolokhov, a seasoned dueller and ruthless killer, to a duel. Unexpectedly, Pierre wounds Dolokhov. Hélène denies her affair, but Pierre is convinced of her guilt and, after almost being violent to her, leaves her. In his moral and spiritual confusion, Pierre joins the Freemasons, and becomes embroiled in Masonic internal politics. Much of Book Two concerns his struggles with his passions and his spiritual conflicts to be a better man. Now a rich aristocrat, he abandons his former carefree behavior and enters upon a philosophical quest particular to Tolstoy: how should one live a moral life in an ethically imperfect world? The question continually baffles and confuses Pierre. He attempts to liberate his serfs, but ultimately achieves nothing of note.

Pierre is vividly contrasted with the intelligent and ambitious Prince Andrei Bolkonsky. At the Battle of Austerlitz, Andrei is inspired by a vision of glory to lead a charge of a straggling army. He suffers a near fatal artillery wound. In the face of death, Andrei realizes all his former ambitions are pointless and his former hero, Napoleon (who rescues him in a horseback excursion to the battlefield), is apparently as vain as himself.

Prince Andrei recovers from his injuries in a military hospital and returns home, only to find his wife Lise dying in childbirth. He is stricken by his guilty conscience for not treating Lise better when she was alive, and is haunted by the pitiful expression on his dead wife's face. His child, Nikolenka, survives.

Burdened with nihilistic disillusionment, Prince Andrei does not return to the army but chooses to remain on his estate, working on a project that would codify military behavior to solve problems of disorganization responsible for the loss of life on the Russian side. Pierre visits him and brings new questions: where is God in this amoral world? Pierre is interested in panentheism and the possibility of an afterlife.
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Pierre's estranged wife, Hélène, begs him to take her back, and against his better judgment and in trying to abide by the Freemason laws of forgiveness, he does. Despite her vapid shallowness, Hélène establishes herself as an influential hostess in Petersburg society.

Prince Andrei feels impelled to take his newly written military notions to Petersburg, naively expecting to influence either the Emperor himself or those close to him. Young Natasha, also in Petersburg, is caught up in the excitement of dressing for her first grand ball, where she meets Prince Andrei and briefly reinvigorates him with her vivacious charm. Andrei believes he has found purpose in life again and, after paying the Rostovs several visits, proposes marriage to Natasha. However, old Prince Bolkonsky, Andrei's father, dislikes the Rostovs, opposes the marriage, and insists on a year's delay. Prince Andrei leaves to recuperate from his wounds abroad, leaving Natasha initially distraught. She soon recovers her spirits, however, and Count Rostov takes her and Sonya to spend some time with a friend in Moscow.

Natasha visits the Moscow opera, where she meets Hélène and her brother Anatol. Anatol has since married a Polish woman who he has abandoned in Poland. He is very attracted to Natasha and is determined to seduce her. Hélène and Anatol conspire together to accomplish this plan. Anatol kisses Natasha and writes her passionate letters, eventually establishing plans to elope. Natasha is convinced that she loves Anatol and writes to Princess Maria, Andrei's sister, breaking off her engagement. At the last moment, Sonya discovers her plans to elope and foils them. Pierre is initially horrified by Natasha's behavior, but realizes he has fallen in love with her. During the time when the Great Comet of 1811–2 streaks the sky, life appears to begin anew for Pierre.

Prince Andrei accepts coldly Natasha's breaking of the engagement. He tells Pierre that his pride will not allow him to renew his proposal. Ashamed, Natasha makes a suicide attempt and is left seriously ill.

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RealDave wrote:
Republicans throwing tantrums at Congressional hearings over the ACA website.
When are they going to investigate how Congress cost the economy 24 billion dollars?
Nothing like a bunch of blowhards finding fault that the website was not completely operation by Oct 1 when these same f*cking blowhard couldn't fund the government by October 1st.
Republicans are just as pissed off as the majority.

It was a Democrat who called that hearing a "monkey court".

Which is typical. So immature.

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