Barack Obama, our next President

"The road ahead will be long. Our climb will be steep," Obama cautioned. Young and charismatic but with little experience on the national level, Obama smashed through racial barriers and easily defeated ... Full Story

Since: Jun 13

Orlando, FL

#1011595 Oct 25, 2013
And speaking of being promptly fired...

Hannity asked one of Obamacare's phone employees if she would be willing to answer some question on air on his radio program.

She answered all of his questions politely and professionally. But because she simply agreed to do it, she was immediately fired.

Hannity had her on last night and told her that because so many people were outraged, there were numerous job offers waiting for her and that he was personally going to pay her the same wages she would have made in a year at her former job.

The left would never do that for a conservative who agreed to talk with a liberal radio show host on air.

But that conservative would have never been fired.
No Surprize

Seminole, FL

#1011596 Oct 25, 2013
RealDave wrote:
Republicans throwing tantrums at Congressional hearings over the ACA website.
When are they going to investigate how Congress cost the economy 24 billion dollars?
Nothing like a bunch of blowhards finding fault that the website was not completely operation by Oct 1 when these same f*cking blowhard couldn't fund the government by October 1st.
Ghetto dem throwing tantrums here on Topix...

If your going to own a rabid pet, Dumbass Dave... Keep a leash on it.!!

It's the culture...
dem

Chicago, IL

#1011597 Oct 25, 2013
The novel begins in July 1805 in Saint Petersburg, at a soirée given by Anna Pavlovna Scherer—the maid of honour and confidante to the queen mother Maria Feodorovna. Many of the main characters and aristocratic families in the novel are introduced as they enter Anna Pavlovna's salon. Pierre (Pyotr Kirilovich) Bezukhov is the illegitimate son of a wealthy count, an elderly man who is dying after a series of strokes. Pierre is about to become embroiled in a struggle for his inheritance. Educated abroad at his father's expense following his mother's death, Pierre is essentially kindhearted, but socially awkward, and owing in part to his open, benevolent nature, finds it difficult to integrate into Petersburg society. It is known to everyone at the soirée that Pierre is his father's favorite of all the old count’s illegitimate children.

Also attending the soireé is Pierre's friend, the intelligent and sardonic Prince Andrei Nikolayevich Bolkonsky, husband of Lise, the charming society favourite. Finding Petersburg society unctuous and disillusioned with married life after discovering his wife is empty and superficial, Prince Andrei makes the fateful choice to be an aide-de-camp to Prince Mikhail Ilarionovich Kutuzov in the coming war against Napoleon.

The plot moves to Moscow, Russia's ancient city and former capital, contrasting its provincial, more Russian ways to the highly mannered society of Petersburg. The Rostov family are introduced. Count Ilya Andreyevich Rostov has four adolescent children. Thirteen-year-old Natasha (Natalia Ilyinichna) believes herself in love with Boris Drubetskoy, a disciplined young man who is about to join the army as an officer. Twenty-year-old Nikolai Ilyich pledges his love to Sonya (Sofia Alexandrovna), his fifteen-year-old cousin, an orphan who has been brought up by the Rostovs. The eldest child of the Rostov family, Vera Ilyinichna, is cold and somewhat haughty but has a good prospective marriage in a Russian-German officer, Adolf Karlovich Berg. Petya (Pyotr Ilyich) is nine and the youngest of the Rostov family; like his brother, he is impetuous and eager to join the army when of age. The heads of the family, Count Ilya Rostov and Countess Natalya Rostova, are an affectionate couple but forever worried about their disordered finances.
dem

Chicago, IL

#1011599 Oct 25, 2013
At Bald Hills, the Bolkonskys' country estate, Prince Andrei departs for war and leaves his terrified, pregnant wife Lise with his eccentric father Prince Nikolai Andreyevich Bolkonsky and devoutly religious sister Maria Nikolayevna Bolkonskaya.

The second part opens with descriptions of the impending Russian-French war preparations. At the Schöngrabern engagement, Nikolai Rostov, who is now conscripted as ensign in a squadron of hussars, has his first taste of battle. He meets Prince Andrei, whom he insults in a fit of impetuousness. Even more than most young soldiers, he is deeply attracted by Tsar Alexander's charisma. Nikolai gambles and socializes with his officer, Vasily Dmitrich Denisov, and befriends the ruthless, and perhaps, psychopathic Fyodor Ivanovich Dolokhov.

Book/Volume Two[edit]
Scene in Red Square, Moscow, 1801. Oil on canvas by Fedor Yakovlevich Alekseev.Book Two begins with Nikolai Rostov briefly returning on home leave to Moscow. Nikolai finds the Rostov family facing financial ruin due to poor estate management. He spends an eventful winter at home, accompanied by his friend Denisov, his officer from the Pavlograd Regiment in which he serves. Natasha has blossomed into a beautiful young girl. Denisov falls in love with her, proposes marriage but is rejected. Although his mother pleads with Nikolai to find himself a good financial prospect in marriage, Nikolai refuses to accede to his mother's request. He promises to marry his childhood sweetheart, the dowry-less Sonya.
dem

Chicago, IL

#1011600 Oct 25, 2013
Pierre Bezukhov, upon finally receiving his massive inheritance, is suddenly transformed from a bumbling young man into the richest and most eligible bachelor in the Russian Empire. Despite rationally knowing that it is wrong, he is convinced into marriage with Prince Kuragin's beautiful and immoral daughter Hélène (Elena Vasilyevna Kuragina), to whom he is superficially attracted. Hélène, who is rumoured to be involved in an incestuous affair with her brother, the equally charming and immoral Anatol, tells Pierre that she will never have children with him. Hélène is rumoured to have an affair with Dolokhov, who mocks Pierre in public. Pierre loses his temper and challenges Dolokhov, a seasoned dueller and ruthless killer, to a duel. Unexpectedly, Pierre wounds Dolokhov. Hélène denies her affair, but Pierre is convinced of her guilt and, after almost being violent to her, leaves her. In his moral and spiritual confusion, Pierre joins the Freemasons, and becomes embroiled in Masonic internal politics. Much of Book Two concerns his struggles with his passions and his spiritual conflicts to be a better man. Now a rich aristocrat, he abandons his former carefree behavior and enters upon a philosophical quest particular to Tolstoy: how should one live a moral life in an ethically imperfect world? The question continually baffles and confuses Pierre. He attempts to liberate his serfs, but ultimately achieves nothing of note.

Pierre is vividly contrasted with the intelligent and ambitious Prince Andrei Bolkonsky. At the Battle of Austerlitz, Andrei is inspired by a vision of glory to lead a charge of a straggling army. He suffers a near fatal artillery wound. In the face of death, Andrei realizes all his former ambitions are pointless and his former hero, Napoleon (who rescues him in a horseback excursion to the battlefield), is apparently as vain as himself.

Prince Andrei recovers from his injuries in a military hospital and returns home, only to find his wife Lise dying in childbirth. He is stricken by his guilty conscience for not treating Lise better when she was alive, and is haunted by the pitiful expression on his dead wife's face. His child, Nikolenka, survives.

Burdened with nihilistic disillusionment, Prince Andrei does not return to the army but chooses to remain on his estate, working on a project that would codify military behavior to solve problems of disorganization responsible for the loss of life on the Russian side. Pierre visits him and brings new questions: where is God in this amoral world? Pierre is interested in panentheism and the possibility of an afterlife.
dem

Chicago, IL

#1011601 Oct 25, 2013
Pierre's estranged wife, Hélène, begs him to take her back, and against his better judgment and in trying to abide by the Freemason laws of forgiveness, he does. Despite her vapid shallowness, Hélène establishes herself as an influential hostess in Petersburg society.

Prince Andrei feels impelled to take his newly written military notions to Petersburg, naively expecting to influence either the Emperor himself or those close to him. Young Natasha, also in Petersburg, is caught up in the excitement of dressing for her first grand ball, where she meets Prince Andrei and briefly reinvigorates him with her vivacious charm. Andrei believes he has found purpose in life again and, after paying the Rostovs several visits, proposes marriage to Natasha. However, old Prince Bolkonsky, Andrei's father, dislikes the Rostovs, opposes the marriage, and insists on a year's delay. Prince Andrei leaves to recuperate from his wounds abroad, leaving Natasha initially distraught. She soon recovers her spirits, however, and Count Rostov takes her and Sonya to spend some time with a friend in Moscow.

Natasha visits the Moscow opera, where she meets Hélène and her brother Anatol. Anatol has since married a Polish woman who he has abandoned in Poland. He is very attracted to Natasha and is determined to seduce her. Hélène and Anatol conspire together to accomplish this plan. Anatol kisses Natasha and writes her passionate letters, eventually establishing plans to elope. Natasha is convinced that she loves Anatol and writes to Princess Maria, Andrei's sister, breaking off her engagement. At the last moment, Sonya discovers her plans to elope and foils them. Pierre is initially horrified by Natasha's behavior, but realizes he has fallen in love with her. During the time when the Great Comet of 1811–2 streaks the sky, life appears to begin anew for Pierre.

Prince Andrei accepts coldly Natasha's breaking of the engagement. He tells Pierre that his pride will not allow him to renew his proposal. Ashamed, Natasha makes a suicide attempt and is left seriously ill.

Since: Jun 13

Orlando, FL

#1011602 Oct 25, 2013
RealDave wrote:
Republicans throwing tantrums at Congressional hearings over the ACA website.
When are they going to investigate how Congress cost the economy 24 billion dollars?
Nothing like a bunch of blowhards finding fault that the website was not completely operation by Oct 1 when these same f*cking blowhard couldn't fund the government by October 1st.
Republicans are just as pissed off as the majority.

It was a Democrat who called that hearing a "monkey court".

Which is typical. So immature.
dem

Chicago, IL

#1011603 Oct 25, 2013
With the help of her family, especially Sonya, and the stirrings of religious faith, Natasha manages to persevere in Moscow through this dark period. Meanwhile, the whole of Russia is affected by the coming confrontation between Napoleon's troops and the Russian army. Pierre convinces himself through gematria that Napoleon is the Antichrist of the Book of Revelation. Old prince Bolkonsky dies of a stroke while trying to protect his estate from French marauders. No organized help from any Russian army seems available to the Bolkonskys, but Nikolai Rostov turns up at their estate in time to help put down an incipient peasant revolt. He finds himself attracted to Princess Maria, but remembers his promise to Sonya.

Back in Moscow, the war-obsessed Petya manages to snatch a loose piece of the Tsar's biscuit outside the Cathedral of the Assumption; he finally convinces his parents to allow him to enlist.
dem

Chicago, IL

#1011604 Oct 25, 2013
Napoleon himself is a main character in this section of the novel and is presented in vivid detail, as both a thinker and would-be strategist. His toilette and his customary attitudes and traits of mind are depicted in detail. Also described are the well-organized force of over 400,000 French Army (only 140,000 of them actually French-speaking) which marches quickly through the Russian countryside in the late summer and reaches the outskirts of the city of Smolensk. Pierre decides to leave Moscow and go to watch the Battle of Borodino from a vantage point next to a Russian artillery crew. After watching for a time, he begins to join in carrying ammunition. In the midst of the turmoil he experiences firsthand the death and destruction of war. The battle becomes a hideous slaughter for both armies and ends in a standoff. The Russians, however, have won a moral victory by standing up to Napoleon's reputedly invincible army. For strategic reasons and having suffered grievous losses, the Russian army withdraws the next day, allowing Napoleon to march on to Moscow. Among the casualties are Anatol Kuragin and Prince Andrei. Anatol loses a leg, and Andrei suffers a grenade wound in the abdomen. Both are reported dead, but their families are in such disarray that no one can be notified.

The Rostovs have waited until the last minute to abandon Moscow, even after it is clear that Kutuzov has retreated past Moscow and Muscovites are being given contradictory, often propagandistic, instructions on how to either flee or fight. Count Rostopchin is publishing posters, rousing the citizens to put their faith in religious icons, while at the same time urging them to fight with pitchforks if necessary. Before fleeing himself, he gives orders to burn the city. The Rostovs have a difficult time deciding what to take with them, but in the end, Natasha convinces them to load their carts with the wounded and dying from the Battle of Borodino. Unknown to Natasha, Prince Andrei is amongst the wounded.

When Napoleon's Grand Army finally occupies an abandoned and burning Moscow, Pierre takes off on a quixotic mission to assassinate Napoleon. He becomes an anonymous man in all the chaos, shedding his responsibilities by wearing peasant clothes and shunning his duties and lifestyle. The only people he sees while in this garb are Natasha and some of her family, as they depart Moscow. Natasha recognizes and smiles at him, and he in turn realizes the full scope of his love for her.

Pierre saves the life of a French officer who fought at Borodino, yet is taken prisoner by the retreating French during his attempted assassination of Napoleon, after saving a woman from being raped by soldiers in the French Army.

“Constitutionalis t”

Since: Dec 10

Spring, TX

#1011605 Oct 25, 2013
Emeem wrote:
<quoted text>
We don't need any jobs per DBWriter. Remember, anyone that wants a job can have one, all they need to do is look for it. Has that changed?
Let's ask the 30+ million illegal aliens here that question.

Now, back to the post you tried to avoid:

And with Obama's "recovery" generating 5 part time jobs for every 1 full time job, thus putting 5 people into poverty for every 1 person it allows a living wage, this condition won't do anything but get worse.
If you live in a household where only half the people living there are providing for the entire household, then you are either in a house where a family with children live, or you are in the average neighborhood that votes Democrat all the time.
dem

Chicago, IL

#1011606 Oct 25, 2013
When Napoleon's Grand Army finally occupies an abandoned and burning Moscow, Pierre takes off on a quixotic mission to assassinate Napoleon. He becomes an anonymous man in all the chaos, shedding his responsibilities by wearing peasant clothes and shunning his duties and lifestyle. The only people he sees while in this garb are Natasha and some of her family, as they depart Moscow. Natasha recognizes and smiles at him, and he in turn realizes the full scope of his love for her.

Pierre saves the life of a French officer who fought at Borodino, yet is taken prisoner by the retreating French during his attempted assassination of Napoleon, after saving a woman from being raped by soldiers in the French Army.

Book/Volume Four[edit]
Napoleon's retreat from Moscow. Painting by Adolf Northern (1828–1876)Pierre becomes friends with a fellow prisoner, Platon Karataev, a peasant with a saintly demeanor, who is incapable of malice. In Karataev, Pierre finally finds what he has been seeking: an honest person of integrity (unlike the aristocrats of Petersburg society) who is utterly without pretense. Pierre discovers meaning in life simply by living and interacting with him. After witnessing French soldiers sacking Moscow and shooting Russian civilians arbitrarily, Pierre is forced to march with the Grand Army during its disastrous retreat from Moscow in the harsh Russian winter. After months of trial and tribulation—during which the fever-plagued Karataev is shot by the French—Pierre is finally freed by a Russian raiding party, after a small skirmish with the French that sees the young Petya Rostov killed in action.

Meanwhile, Andrei, wounded during Napoleon's invasion, has been taken in as a casualty and cared for by the Rostovs, fleeing from Moscow to Yaroslavl. He is reunited with Natasha and his sister Maria before the end of the war. Having lost all will to live, he forgives Natasha in a last act before dying.

As the novel draws to a close, Pierre's wife Hélène dies from an overdose of abortion medication (Tolstoy does not state it explicitly but the euphemism he uses is unambiguous). Pierre is reunited with Natasha, while the victorious Russians rebuild Moscow. Natasha speaks of Prince Andrei's death and Pierre of Karataev's. Both are aware of a growing bond between them in their bereavement. With the help of Princess Maria, Pierre finds love at last and, revealing his love after being released by his former wife's death, marries Natasha
WOW

Bronx, NY

#1011607 Oct 25, 2013
GOOD MORNING dem aaaaah I feel better now slow your roll
tell_it_like_it_ IS

Euless, TX

#1011608 Oct 25, 2013
dem wrote:
The original EPR paradox challenges the prediction of quantum mechanics that it is impossible to know both the position and the momentum of a quantum particle. This challenge can be extended to other pairs of physical properties.
EPR paper[edit]The original paper purports to describe what must happen to "two systems I and II, which we permit to interact ...", and, after some time, "we suppose that there is no longer any interaction between the two parts." In the words of Kumar (2009), the EPR description involves "two particles, A and B,[which] interact briefly and then move off in opposite directions."[11] According to Heisenberg's uncertainty principle, it is impossible to measure both the momentum and the position of particle B exactly. However, according to Kumar, it is possible to measure the exact position of particle A. By calculation, therefore, with the exact position of particle A known, the exact position of particle B can be known. Also, the exact momentum of particle B can be measured, so the exact momentum of particle A can be worked out. Kumar writes: "EPR argued that they had proved that ...[particle] B can have simultaneously exact values of position and momentum.... Particle B has a position that is real and a momentum that is real."
EPR appeared to have contrived a means to establish the exact values of either the momentum or the position of B due to measurements made on particle A, without the slightest possibility of particle B being physically disturbed.[11]
EPR tried to set up a paradox to question the range of true application of Quantum Mechanics: Quantum theory predicts that both values cannot be known for a particle, and yet the EPR thought experiment purports to show that they must all have determinate values. The EPR paper says: "We are thus forced to conclude that the quantum-mechanical description of physical reality given by wave functions is not complete."[11]
The EPR paper ends by saying:
While we have thus shown that the wave function does not provide a complete description of the physical reality, we left open the question of whether or not such a description exists. We believe, however, that such a theory is possible.
You are making all the dogs in my neighborhood crap and puke!!!!!
dem

Chicago, IL

#1011609 Oct 25, 2013
The first part of the epilogue begins with the wedding of Pierre and Natasha in 1813. It is the last happy event for the Rostov family, which is undergoing a transition. Count Rostov dies soon after, leaving his eldest son Nikolai to take charge of the debt-ridden estate.

Nikolai finds himself with the task of maintaining the family on the verge of bankruptcy. His abhorrence at the idea of marrying for wealth almost gets in his way, but finally he marries the now-rich Maria Bolkonskaya and in so doing also saves his family from financial ruin.

Nikolai and Maria then move to Bleak Hills with his mother and Sonya, whom he supports for the rest of their life. Buoyed by his wife's fortune, Nikolai pays off all his family's debts. They also raise Prince Andrei's orphaned son, Nikolai Andreyevich (Nikolenka) Bolkonsky.

As in all good marriages, there are misunderstandings, but the couples–Pierre and Natasha, Nikolai and Maria–remain devoted to their spouses. Pierre and Natasha visit Bleak Hills in 1820, much to the jubilation of everyone concerned. There is a hint in the closing chapters that the idealistic, boyish Nikolenka and Pierre would both become part of the Decembrist Uprising. The first epilogue concludes with Nikolenka promising he would do something with which even his late father "would be satisfied..." (presumably as a revolutionary in the Decembrist revolt).

The second part of the epilogue contains Tolstoy's critique of all existing forms of mainstream history. The 19th century Great Man Theory claims that historical events are the result of the actions of "heroes" and other great individuals, Tolstoy argues that this is impossible because of how rarely these actions result in great historical events. Rather, he argues, great historical events are the result of many smaller events driven by the thousands of individuals involved,(he compares this to Calculus, and the sum of infinitesimals). He then goes on to argue that these smaller events are the result of an inverse relationship between necessity and free-will, necessity being based on reason and therefore explainable by historical analysis, and free-will being based on "consciousness" and therefore inherently unpredictable
dem

Chicago, IL

#1011610 Oct 25, 2013
perhaps the entire Bible next?
dem

Chicago, IL

#1011611 Oct 25, 2013
Main article: List of characters in War and Peace

War and Peace simple family tree
War and Peace detailed family tree
Natasha Rostova by Elisabeth BohmCount Pyotr Kirillovich (Pierre) Bezukhov: The large-bodied, ungainly, and socially awkward illegitimate son of an old Russian grandee. Pierre, educated abroad, returns to Russia as a misfit. His unexpected inheritance of a large fortune makes him socially desirable. Pierre is the central character and often a voice for Tolstoy's own beliefs or struggles.
Prince Andrey Nikolayevich Bolkonsky: A strong but cynical, thoughtful and philosophical aide-de-camp in the Napoleonic Wars.
Princess Maria Nikolayevna Bolkonskaya: Sister of Prince Andrew, Princess Maria is a pious woman whose eccentric father attempted to give her a good education. The caring, nurturing nature of her large eyes in her otherwise thin and plain face are frequently mentioned.
Count Ilya Andreyevich Rostov: The pater-familias of the Rostov family; terrible with finances, generous to a fault.
Countess Natalya Rostova: Wife of Count Ilya Rostov, mother of the four Rostov children.
Countess Natalya Ilyinichna (Natasha) Rostova: A central character, introduced as "not pretty but full of life" and a romantic young girl, she evolves through trials and suffering and eventually finds happiness. She is an accomplished singer and dancer.
Count Nikolai Ilyich (Nikolenka) Rostov: An hussar, the beloved eldest son of the Rostov family.
Sofia Alexandrovna (Sonya) Rostova: Orphaned cousin of Vera, Nikolai, Natasha, and Petya Rostov.
Countess Vera Ilyinichna Rostova: Eldest of the Rostov children, she marries the German career soldier, Berg.
Pyotr Ilyich (Petya) Rostov: Youngest of the Rostov children.
Prince Vasily Sergeyevich Kuragin: A ruthless man who is determined

Since: Jun 13

Orlando, FL

#1011612 Oct 25, 2013
USAsince1680 wrote:
<quoted text>
Really?
" Factcheck.org and the Kaiser Family Foundation have breakdowns of the Ryan’s “Path To Prosperity” plan from March 2012."
Under Ryan’s plan, beginning in 2023, people over 65 would pick an insurance plan in a new Medicare exchange system, with Medicare competing with other insurers for their business.
The government would send money, called a premium-support payment, directly to the insurer picked by the consumer.
If the consumer picks a plan more expensive than the government premium payment they receive, the consumer must pay the difference out of pocket. If the consumer picks a cheaper plan, they pocket the difference in the form of a rebate check.
The Ryan plan set the premium payment to consumers at the cost of the second-least expensive government-approved plan.
The federal government will determine the minimum level of benefits that all plans must offer. The premium-support payment is capped at the growth of GDP, plus 0.5 percent. The subsidy will be adjusted based on the income level of the consumer.
After 2022, seniors are guaranteed they can enroll in any plan offered by the new exchanges and Medicare despite their health status or age.
In Ryan’s March 2012 plan, there is no limit of out-of-pocket costs incurred by seniors, and the plan doesn’t address prescription drug costs."
Now, what's different about Ryans' plan for Seniors and the Affordable Care Act?
http://news.yahoo.com/understanding-paul-ryan...
Ryan's plan was directed at wealthy seniors who don't need government subsidies.

Same with Republicans' Social Security reform proposals.

Democrats don't want the wealthy to pay their own way. They want them to pay for everyone else's.
WOW

Bronx, NY

#1011613 Oct 25, 2013
dem wrote:
The novel can be generally classified as historical fiction. It contains elements present in many types of popular 18th and 19th century literature, especially the romance novel. War and Peace attains its literary status by transcending genres.
Tolstoy was instrumental in bringing a new kind of consciousness to the novel. His narrative structure is noted for its "god-like" ability to hover over and within events, but also in the way it swiftly and seamlessly portrayed a particular character's point of view. His use of visual detail is often cinematic in its scope, using the literary equivalents of panning, wide shots and close-ups, to give dramatic interest to battles and ballrooms alike. These devices, while not exclusive to Tolstoy, are part of the new style of the novel that arose in the mid-19th century and of which Tolstoy proved himself a master.[
GRAPES OF WRATH BLACK PEOPLE COME IN MANY SHADES GRAPES OF WRATH BLACK PEOPLE COME FROM MANY RACES SUPPORT BARNEYS NYC STOP RACIAL BULLIES SUPPORT BARNEYS NYC STOP RACIAL EXTORTION SUPPORT BARNEYS STOP RACIAL BULLIES SUPPORT BARNEYS NYC no justic no peace
Laney F

New York, NY

#1011614 Oct 25, 2013
Homer wrote:
<quoted text>Rightwingers love censorship.
LOL. Homer, Homer, Homer...

Is moveon.org a rightwing group?
http://petitions.moveon.org/sign/treason-agai...

“Liberals claim to want to give a hearing to other views, but then are shocked and offended to discover that there are other views.”
&#8213; William F. Buckley Jr.

“I believe in a relatively equal society, supported by institutions that LIMIT extremes of wealth and poverty. I believe in democracy, civil liberties, and the rule of law. That makes me a liberal, and I’m proud of it.”
&#8213; Paul Krugman

“If there is ever a fascist takeover in America, it will come not in the form of storm troopers kicking down doors but with lawyers and social workers saying. "I'm from the government and I'm here to help.”
&#8213; Jonah Goldberg, Liberal Fascism: The Secret History of the American Left from Mussolini to the Politics of Meaning

“The true charity is not giving bread or money, but providing employment.”
&#8213; Ilkin Santak

“My feeling is this whole country is founded on the principle of 'if you are not hurting anyone, and you're not fucking with someone else's shit, and you are paying your taxes, you should be able to just do what you want to do.' It's the freedom and the independence.”
&#8213; Adam Carolla

“I am just mystified by these people telling me I would think Obama was doing a great job if his skin contained less melanin.”
&#8213; Jonah Goldberg

“George Bush made a mistake when he referred to the Saddam Hussein regime as 'evil.' Every liberal and leftist knows how to titter at such black-and-white moral absolutism. What the president should have done, in the unlikely event that he wanted the support of America's peace-mongers, was to describe a confrontation with Saddam as the 'lesser evil.' This is a term the Left can appreciate. Indeed,'lesser evil' is part of the essential tactical rhetoric of today's Left, and has been deployed to excuse or overlook the sins of liberal Democrats, from President Clinton's bombing of Sudan to Madeleine Albright's veto of an international rescue for Rwanda when she was U.S. ambassador to the United Nations. Among those longing for nuance, moral relativism—the willingness to use the term evil, when combined with a willingness to make accommodations with it—is the smart thing: so much more sophisticated than 'cowboy' language.”
&#8213; Christopher Hitchens, Christopher Hitchens and His Critics: Terror, Iraq, and the Left
dem

Chicago, IL

#1011615 Oct 25, 2013
Prince Anatole Vasilyevich Kuragin: Hélène's brother and a very handsome and amoral pleasure seeker who is secretly married yet tries to elope with Natasha Rostova.
Prince Ippolit Vasilyevich: The eldest and perhaps most dim-witted of the Kuragin children.
Prince Boris Drubetskoy: A poor but aristocratic young man driven by ambition, even at the expense of his friends and benefactors, who marries for money, rather than love, an heiress, Julie Karagina.
Princess Anna Mihalovna Drubetskaya: The mother of Boris.
Fyodor Ivanovich Dolokhov: A cold, almost psychopathic officer, he ruins Nikolai Rostov by luring him into an outrageous gambling debt (by which he, Dolokhov, profits), he only shows love to his doting mother.
Adolf Karlovich Berg: A young Russian officer, who desires to be just like everyone else.
Anna Pavlovna Sherer: Also known as Annette, she is the hostess of the salon that is the site of much of the novel's action in Petersburg.
Maria Dmitryevna Akhrosimova: An older Moscow society lady, she is an elegant dancer and trend-setter, despite her age and size.
Amalia Evgenyevna Bourienne: A French woman who lives with the Bolkonskys, primarily as Princess Marya's companion.
Vasily Dmitrich Denisov: Nikolai Rostov's friend and brother officer, who proposes to Natasha.
Platon Karataev: The archetypal good Russian peasant, whom Pierre meets in the prisoner of war camp.
Napoleon I of France: the Great Man, whose fate is detailed in the book.
General Mikhail Ilarionovich Kutuzov: Russian commander-in-chief.
Osip Bazdeyev: the Freemason who interests Pierre in his mysterious group, starting a lengthy subplot.[citation needed]
Tsar Alexander I of Russia: He signed a peace treaty with Napoleon in 1807 and then went to war with him.
Many of Tolstoy's characters in War and Peace were based on real-life people known to Tolstoy himself. His grandparents and their friends were the models for many of the main characters, his great-grandparents would have been of the generation of Prince Vassily or Count Ilya Rostov. Some of the characters, obviously, are actual historic figures.

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